Small Town Revelations From California to Carolina With Margo Cilker

I have been reading about Plato and Aristotle lately, in Jeffrey Kripal’s fascinating book, The Flip. Early on in the essay, Kripal points to the history of Western intellectual discourse having swung widely back and forth between the visionary philosophy of Plato, and the empirical rationalism of his student, Aristotle. In Plato’s view, our perception of reality involves our brains, but goes beyond our physiology to pull from a kind of exterior consciousness, which is filtered through our senses, bringing us what can become profound discoveries. In contrast, the empirical rationalist view of our consciousness attests that it comes from and ends with our physical selves.

Have you ever tried your hand at art, in one or more of its myriad forms? How did that go for you? Were you wracking your brain to come up with an idea, trying hard to get it all right, or were you letting your mind drift, quietly waiting for inspiration? I have plenty of experience with the former, especially in the early years of Southern Songs and Stories. Those first podcasts were longer, chock full of interviews with not only the subjects of each episode, but also quite often including many guests’ conversations which were excerpted from their own individual interviews, and a kind of encyclopedic approach to the endeavor. Not that I utterly eschewed clearing my mind and letting things come to me, but I came to realize its advantages more over time. That, and I simply improved as a writer and interviewer, and learned firsthand that less can often be more in this medium.

Margo Cilker certainly understands this, and her creative practice echoes a Platonic viewpoint, as she remarked, “My best art comes when I’m not trying too hard, and when I find out what’s on the other side of the song”. Many of her songs involve scenes and characters from small towns, like Santa Rosa, New Mexico, or Tahachapi, California, as well as locales in Upstate South Carolina, where she attended college and where we spoke on the day of her performance at the Albino Skunk Music Festival.

Maya De Vitry (left) and Margo Cilker (right) perform at the Albino Skunk Music Festival in Greer, SC, 05/09/24

photo: John Gillespie

In this episode, we talk about her travels, cultural differences between Appalachia and the American West, working with Maya De Vitry, who performed with her at Margo’s Albino Skunk debut that day and who is slated to appear in her own episode next, Margo’s focus on the lyrics to her songs, and more, including music from her live set as well as her second album, Valley Of Heart’s Delight.

Songs heard in this episode:

“I Remember Carolina” by Margo Cilker, performed live at Albino Skunk Music Festival 05/09/24

“Keep It On A Burner” by Margo Cilker, performed live at Albino Skunk Music Festival 05/09/24, excerpt

“Santa Rosa” by Margo Cilker, from Valley Of Heart’s Delight, excerpt

“Tehachapi” by Margo Cilker, performed live at Albino Skunk Music Festival 05/09/24

untitled new song inspired by Neil Young by Margo Cilker, performed live at Albino Skunk Music Festival 05/09/24

Thanks for visiting, and we hope you will follow this series on your podcast platform of choice, and also give it a top rating and a review. When you take a moment to give great ratings and reviews, Southern Songs and Stories and the artists it profiles become much more visible to more music, history and culture fans just like you. You can find us on Apple here, and Spotify here — hundreds more episodes await, including performers at The Albino Skunk Music Festival like Sierra Ferrell, Shinyribs, Darrell Scott, Eilen Jewell, among many others.

This series is a part of the lineup of both public radio WNCW and Osiris Media, with all of the Osiris shows available here. You can also hear new episodes on Bluegrass Planet Radio here. Thanks to everyone on staff at Albino Skunk for their help in making this episode possible. Thanks also to Jaclyn Anthony for producing the radio adaptations of this series on WNCW, where we worked with Joshua Meng, who wrote and performed our theme songs — you can link to his music here. This is Southern Songs and Stories: the music of the South and the artists who make it. - Joe Kendrick

Why Is Live Music So Good? Let’s Talk It Over

Do you love live music? This episode is for you! After taking in a number of shows after a bit of a lull, I was energized, engaged, and excited. It got me thinking about telling the story of not only those concert experiences, but also about the broader subject of live music. So let’s talk, shall we? I’ll start, and then hopefully you can respond, and we can compare notes in a future episode.


Southern Songs and Stories has been running for over five years as a podcast, and existed as a video documentary series years before that. You probably know that the main mode for both versions of the show remains a series of in-depth interviews with music artists and media professionals, along with commentary from yours truly, and music to round it all out. But every once in a while we branch out with different approaches. This episode is also a tangent, not focusing on one artist or group, but touching on the common theme of live music so often featured here. It is presented in three chapters, with each chapter putting forward a question to guide the narrative and also literally ask you that question. First up: what was your first live music experience? Then, what was your most recent concert or festival? And probably the biggest of all, what was your favorite?

Paul McCartney at Bonnaroo 06-14-13

This episode is a music diary of sorts, with no artist interviews at all. It is also the first Southern Songs and Stories to be offered as an NFT, or Non-Fungible Token. It is available online like every other in this series, but there are also a small number of unique versions of it available on the website uncut.fm, the company which states that their mission is to build a new podcasting economy, where hosts can connect directly with their fans, and distribute their work and receive payments without intermediaries. It is a bit like taking the crowd funding model up a notch, because everyone who buys the NFT version of this podcast owns something that they can then sell, trade, or give away. It is no longer a one-way street; it is not a subscription that will end; it is yours even if I stop producing Southern Songs and Stories and take down this site. You could think of it as a kind of digital trading card, or a way to bookmark a chapter in this series. The benefits? Imagine this first edition, limited run of ‘digital trading cards’ becoming more valuable in time; you could sell yours for a profit if you like, and that benefits me too because in addition to the first sale, there is a small return to every NFT’s creator on each subsequent transaction. And there are more benefits, like being a part of the unique community of contributors who will have access to a gated space on Uncut where we can talk about this episode or anything else we want to share. We might even come up with a new and better NFT for the next round. Everything is spelled out in the Southern Songs and Stories listing online at uncut.fm.

Songs heard in this episode:

“A Good Bass For Gambling” by Komiku, sourced from freepd.com

“Still Pickin’” by Kevin MacLeod, sourced from freepd.com, excerpt

“Eddie’s Twister” by Eddie Lang, sourced from Open Music Archive, excerpt

“Little Bits” by the Johnny Dodd Trio, sourced from Open Music Archive, excerpt

“Take The Ride” by Bryan Teoh, sourced from freepd.com

Link to video of the Isotope 217 performance at Vincent’s Ear, Oct. 5 1999 mentioned in the episode here

We are glad to have you visit us, and would be even more so were you to share this with someone. It is super easy to follow us on your podcast platform of choice, and then it will only take a minute to give it a good rating, and on platforms with the option, a review. Great ratings and reviews will make Southern Songs and Stories and the artists it profiles more likely to be found by more people just like you.

What are your live music experiences? What else would you like for us to focus on in another live music themed episode? Everyone who buys one of the limited edition NFT versions of this episode on the website uncut.fm will have access to a gated space with everyone who supported us in this way, where we can start even more conversations about the music we love. 

Southern Songs and Stories is a part of the podcast lineup of Osiris Media, with all of the Osiris shows available here. You can also hear new episodes of this podcast on Bluegrass Planet Radio here. Thanks to Carlos Diaz and the team at uncut.fm for making it possible to make the NFT version of this episode available -- uncut.fm has a host of other podcast NFTs to offer on their website as well. I’m Joe Kendrick, and this is Southern Songs and Stories: the music of the South and the artists who make it.