Playing Through Pain With Cristina Vane

Sometimes people have a determination and intensity that is not obvious at first. In our conversation after her performance last August at the Reeves Theater in Elkin, NC, Cristina Vane said, “I'm not gonna wait for something, some miracle to happen, right? So I have to get out there and like, just do it. Nike sign style, you know, just do it. And so that's what I I've always done is just get in my car and do it.” She said it without reference to her show, an intense enough environment on a good night, let alone a night where she stood atop a very recent gash on her foot. In Cristina’s case, the cut would have to take a back seat to this tour and this night’s performance, and be relegated to remain there for a half hour more while we spoke. Intensity, indeed.

Hers was not the only example of an artist playing through pain there at the Reevestock Music Festival.  Saturday’s headliner was Darrell Scott’s Electric Trio, and just days ahead of their performance, drummer Jeff Sipe had undergone hand surgery; he played with a large bandage nonetheless. Both bands put on fantastic shows as it turned out, with the backdrop of injury only adding charge to the atmosphere. Cristina played her set mostly standing, but did sit while playing some of her songs, which included music from her second and latest album, Make Myself Me Again. She played plenty of new music as well, which is coming sometime in the future on album number three. Afterwards, we enjoyed a lively conversation touching on everything from the apparent irony of how she fell in love with American blues music at a pub in England; how growing up in Europe affected her perceptions of both her American and Guatemalan identity before coming to live in the U.S. and then falling in love with the American West; how she has rewritten her own priorities while still staying true to her purpose in life; her obsession with Skip James and Blind Willie Johnson, and much more.

Cristina Vane poses for a photo before her performance at the Reeves Theater in Elkin, NC 08-04-23

Thank you so much for dropping by and giving this podcast a listen. This series is a part of the lineup of both public radio WNCW and Osiris Media, with all of the Osiris shows available here. You can also hear new episodes on Bluegrass Planet Radio here. Thanks to Corrie Askew for producing the radio adaptations of this series on public radio WNCW, where we worked with Joshua Meng who wrote and performed our theme songs. And big thanks to everyone at the Reevestock Music Festival for having me emcee the event, which gave me this opportunity. This is Southern Songs and Stories: the music of the South and the artists who make it. - Joe Kendrick

The Unlikely Story Of A Band With A Lot To Like: Mipso

The band Mipso never anticipated being as successful or as long lived as they became. It is a band that mandolin player Jacob Sharp called unlikely, because none of the members studied music when they met in college at UNC-Chapel Hill, and none of them thought music was going to be a career -- nothing beyond their initial love of other bands, and of playing together. If Mipso is an unlikely band, it is also quite an exceptional one, now set to release their fifth album (sixth if you count their Mipso Trio debut). They were in the middle of recording their new record during the time we got together in the small city of Elkin, NC on a beautiful summer evening. In this episode of Southern Songs and Stories, we talk with members Libby Rodenbough, Joseph Terrell and Wood Robinson as well as Bridget Kearney of Lake Street Dive, who is soon to tour with Mipso in her project with Benjamin Lazar Davis. Get set for many live songs from their performance at the Reevestock Music Festival, where we met, and find out how their approach to making music has not changed all that much over the years, while their sound has evolved considerably. Mipso also shares their take on how their music reflects Southern culture, and we even take a stab at revealing exactly how they came up with their name and what it means.

Mipso perform at Reevestock in Elkin, NC 8-3-19

Mipso perform at Reevestock in Elkin, NC 8-3-19

Songs heard in this episode:

Mipso: Excerpt of “Edges Run” performed live at Reevestock 8-3-19

Mipso: “A Servant To It” performed live at Reevestock 8-3-19

Mipso: Excerpt of “A Couple Acres Greener” performed live on WNCW 5-22-15

Mipso: Excerpt of “Get Out While You Can” (2018 single)

Mipso: “Louise” performed live at Reevestock 8-3-19

Bridget Kearny & Benjamin Lazar Davis: excerpt of “Slow Rider” from Bawa 

Mipso: cover of Guy Clark’s “Dublin Blues” performed live at Reevestock 8-3-19

(L to R): Libby Rodenbough, Joe Kendrick, Joseph Terrell and Wood Robinson set up for the interview Photo: Daniel Coston

(L to R): Libby Rodenbough, Joe Kendrick, Joseph Terrell and Wood Robinson set up for the interview Photo: Daniel Coston

Southern Songs and Stories is produced in partnership with public radio station WNCW and the Osiris podcast network, and is available on podcast platforms everywhere. Would you like to help spread awareness of the artists featured here on Southern Songs and Stories, their music, and this series? Simply subscribe to the podcast and give it a good rating and a comment where you get your podcasts. For example, you can find us on Apple/iTunes here, on Stitcher here, and Spotify here. This is Southern Songs and Stories: the music of the South and the artists who make it. - Joe Kendrick