Looking Back On The Year, Through The Decade & To The Roots Of Southern Songs And Stories

It is the end of the year and the end of the decade, which is the perfect opportunity to talk about the recent history of Southern Songs and Stories, and to give context to the show itself by going back to its beginnings in the year 2006.  

In 2006, the seeds for Southern Songs And Stories were planted with the concept for the talk feature What It Is on WNCW. The weekday round table of music journalists, artists and professionals debuted in 2007 and ran until 2012.

In 2006, the seeds for Southern Songs And Stories were planted with the concept for the talk feature What It Is on WNCW. The weekday round table of music journalists, artists and professionals debuted in 2007 and ran until 2012.

The stories uncovered on these podcasts just this year are too many to mention here, but how about tidbits like Mac Arnold working as a producer on Soul Train back in the day? Or that Marcus King’s grandfather Bill King was a member of the Country Gentlemen? Elizabeth Cook didn’t even want to be a musician although her family had a band when she was growing up. No, she wanted to be in business, so she majored in accounting and computer information systems. Luckily for us, she hated that job.

Joe Kendrick and Elizabeth Cook at MerleFest 2019

Joe Kendrick and Elizabeth Cook at MerleFest 2019

The Ruen Brothers perform at the Albino Skunk Music Festival in April 2019. Although they are from England, their music is inspired directly by Southern pioneers of rock, blues and country. Plus, they were too good to pass up when the opportunity ar…

The Ruen Brothers perform at the Albino Skunk Music Festival in April 2019. Although they are from England, their music is inspired directly by Southern pioneers of rock, blues and country. Plus, they were too good to pass up when the opportunity arose to interview and feature them here. Here’s to breaking some more unwritten rules in 2020. Photo: John Gillespie

Southern Songs and Stories is produced in partnership with public radio station WNCW and the Osiris podcast network, and is available on podcast platforms everywhere. Would you help spread awareness of the artists featured here on Southern Songs and Stories, their music, and this series? Simply subscribe to the podcast and give it a good rating and a comment where you get your podcasts. For example, you can find us on Apple/iTunes here, on Stitcher here, and Spotify here. Our theme songs are by Joshua Meng, with a link to his music here. This is Southern Songs and Stories: the music of the South and the artists who make it. Thanks for listening, and Happy New Year! - Joe Kendrick

Mac Arnold: The Blues That's Got Nothing To Prove

Music so often gives you more than you bargained for. Talk to an artist, talk to a friend, talk to anyone with an interest in music, and it will lead to discovery. You find out about great artists you did not know about; you trace whole branches of the tree of song. Listening to more and more unfamiliar albums along the way is a given, and part of uncovering this joyful essay.

To discover Mac Arnold is to realize that not only does his branch of the song tree have much more substance to it than you might have expected, but also that it directly touches so much more of this mythological and historic giant. He played with the biggest names in the blues, he was behind the scenes of hit TV shows, he has a crack band and a love for farming the same clay soil he did as a boy. There is a great deal more to Mac’s story, and in this episode we feature interviews with the South Carolina artist along with Plate Full O’ Blues band mate Max Hightower, fellow Upstate blues veteran Freddie Vanderford, and writer and musician Peter Cooper, along with a sampling of studio sides and live music from Mac Arnold, John Lee Hooker, Pink Anderson and more.

(Left to Right): Austin Brashier, Mac Arnold, Max HightowerWhile on stage, to be dressed in your best clothes and to look sharp is habit to artists everywhere, a habit that serves to make the player feel good, to know that he looks good. Mac looks a…

(Left to Right): Austin Brashier, Mac Arnold, Max Hightower

While on stage, to be dressed in your best clothes and to look sharp is habit to artists everywhere, a habit that serves to make the player feel good, to know that he looks good. Mac looks almost the same on stage as he does everywhere: cowboy hat, jeans, maybe a flannel shirt. When founding Plate Full O’ Blues member Max Hightower once asked him if he was going to change clothes before their show, he smiled and said “I’ve got nothing to prove!”. It was said with more joy than bravado, and sums up Mac’s outlook on life.

Thanks for being here! We encourage you to spread the word about this podcast and the artists we spotlight, and consider helping us by subscribing and commenting on our show, and by becoming a patron. You can find out more here on our Patreon site -- and you can keep up with us on our Facebook page, on twitter and Instagram. Also, this series is available wherever fine podcasts are found.

There was so much of our many conversations that did not make it into this episode, that I will bring a lot of that to light in a future episode focusing more on Piedmont blues. This is Southern Songs and Stories: the music of the South and the artists who make it.  - Joe Kendrick