Southern Strings and Stories With Craig Havighurst

It is easy to think of someone who has incredible talents and intellect as unapproachable, like they exist on some other plane of reality. If it were a question of bona fides, I would have some doubts about being on the same stage with someone on the level of Craig Havighurst. Taken from his bio, Craig is a writer, multi-media producer and speaker in Nashville who has won awards for his work in print, radio and television. He also wrote the book Air Castle of the South: WSM and the Making of Music City, and hosts The String, a weekly show on WMOT where he interviews music artists ranging from icons to those newer to the scene. The String is also podcast on platforms worldwide, and here, we collaborate on a special episode, calling it Southern Strings and Stories.

Having brought Craig onto this series as a commentator in 2018 (in our episode on Jim Lauderdale), we had in the time since talked about collaborating on an episode, and the inaugural Earl Scruggs Music Festival finally gave us our opportunity. There, we met and set up shop on a balcony overlooking the grounds of the Tryon International Equestrian Center, at the heart of the festival honoring the music and legacy of the iconic banjo player. The concept was simple: record our conversation and use it in both The String and Southern Songs and Stories, with our own individual intros and song selections. So here you have it: a warm conversation touching on everything from the festival’s namesake to other artists (many from western NC where Earl Scruggs was born and raised) like Aaron Burdett, River Whyless and Fireside Collective, as well as Nashville newcomer Cristina Vane, and others. We also delve into the music scenes in Asheville, NC, and Nashville, and get to know Craig a bit more with his spoken word bio, which lets everyone know from the jump that, while estimable, he is anything but unapproachable.

Craig Havighurst

Songs heard in this episode:

“Denver Plane” by Aaron Burdett, excerpt

“Promise Rings“ by River Whyless from Monoflora, except

“How You Doin’” by Crisitina Vane, from Make Myself Me Again, excerpt

“And the Rain Came Down” by Fireside Collective, from Across the Divide, excerpt

“Chattanooga” by Chatham Rabbits, from WNCW’s Crowd Around the Mic Vol. 23, excerpt

“Foggy Mountain Breakdown” by Flatt & Scruggs

Thanks for listening, and we would be even more grateful were you to share this episode with someone. It is super easy to follow us on your podcast platform of choice, and then it will only take a minute to give it a good rating, and on platforms with the option, a review. Great ratings and reviews will make Southern Songs and Stories and the artists it profiles more likely to be found by more people just like you.

Southern Songs and Stories is a part of the podcast lineup of Osiris Media, with all of the Osiris shows available here. You can also hear new episodes of this podcast on Bluegrass Planet Radio here. Thanks to Corrie Askew for producing the radio adaptations of this series on public radio WNCW, and to Joshua Meng, who wrote and performed our theme songs. This is Southern Songs and Stories: the music of the South and the artists who make it.   - Joe Kendrick

Don't Call It Utopia: Imagining A World Made Better For Music

The concept of utopia is as old as civilization itself, but we are not getting there any faster than we ever were. Every attempt has failed, sooner or later. The writing has been on the wall for utopia since the beginning, it seems -- we lasted only a hot minute in the Garden Of Eden before messing that one up, for example. So let us not try for utopia here, but at least try to envision something that is a step above where we are. Let us make a map of the future that is not unrealistically devoid of potholes, but shows at least a bit smoother of a ride for all of us on our musical journey. 

While attending the Albino Skunk Music Festival in October 2021, I had this in mind. And so I went about asking people one question. Or rather, a choice between two questions: given the chance to improve one aspect of your musical journey, or the chance to get rid of one thing that stands in its way, what would that be? I asked artists who played at the festival as well as festival goers the same question, and got a lot of great answers. No two answers were the same, and all of them got me thinking about how we might make our lives in music a little richer, or a little less difficult. From the practical to the whimsical to the ideal, it’s all here in this episode. And along the way, you will hear some of the latest music from artists who spoke with me, including Aaron Burdett, LIzzie No, The Contenders, Riley Downing, The Two Tracks and The Pink Stones.

Lizzie No plays harp during her set at The Albino Skunk Music Festival on October 2, 2021

Songs heard in this episode:

“Rockefeller” by Aaron Burdett, from Dream Rich, Dirt Poor

“Deep Breath” by Riley Downing, from Start It Over, excerpt

“Love Me Hardly” by The Pink Stones, from Introducing…The Pink Stones, excerpt

“Finer Weather” by The Contenders, from Laughing With The Reckless, excerpt

“Deep Well Song” by Lizzie No, from Vanity, excerpt

“Beautiful” by The Two Tracks, from Cheers To Solitude

Southern Songs and Stories is a part of the podcast lineup of both public radio WNCW and Osiris Media, with all of the Osiris shows available here. You can also hear new episodes of this podcast on Bluegrass Planet Radio here . Thanks to Glynn Zeigler and everyone at the Albino Skunk Music Festival for their abundant hospitality,  and thanks to Corrie Askew for producing the radio adaptations of this series on public radio WNCW. I’m your host and producer Joe Kendrick thanking you for listening, and I hope you can spread awareness of this endeavor by telling a friend in person or on social media. Giving Southern Songs and Stories a follow, a top rating and a good review will go far in helping us to continue this project and to aid the artists we cover in their musical endeavors, too!   

MerleFest Was Great Fun And I'm Still Tired

A week ago today, I was emceeing at Hillside Stage at the 30th MerleFest in Wilkesboro, NC, wrapping up a packed three days of introducing artists and traipsing all over the festival grounds, taking in a lot of great music and talking to friends old and new. It was a hoot, as usual. This year was notable for having artists like James Taylor with the Transatlantic Orchestra, The Avett Brothers doing both their own sets and a tribute show to Doc Watson, and all-star jams with Sam Bush, Jerry Douglas, Bela Fleck, Jim Lauderdale, Shawn Camp and Donna The Buffalo, for starters.

Hillside stage crowd gathers on Saturday afternoon

Hillside stage crowd gathers on Saturday afternoon

So, I went straight from my workaday schedule of early to bed and early to rise to the festival schedule of sleep being optional, and walking miles upon miles in weather that was more like mid-June than late April while wearing button-down shirts and slacks. Plus I'm not 25 anymore, so when Monday rolled around I was back at work, but in a semi-vegetative state. Wooo!

Sarah Jarosz

Sarah Jarosz

As usual, the music was tops. I still keep getting a couple of Stray Birds songs stuck in my head. Catching Mary Stuart for the first time was a real treat. Watching Jorma Kaukonen solo was goose bump territory.

Marty Stuart and His Fabulous Superlatives

Marty Stuart and His Fabulous Superlatives

The social scene was better than ever. I got to talk with an old colleague from WNCW, Charlie Purdue, whom I haven't seen in a dozen years or more, and to meet his wife. I just happened to park near Zig from Skunk Fest, who drove up his newly purchased camper van, and hung out there a good bit of the weekend. This lead to lots more interaction with Skunkers and artists alike -- members of bands like Front Country, Stray Birds and Mipso were hanging out almost constantly. I got to talk backstage with artists like Shawn Camp, Jim Lauderdale and Bela Fleck at length, and listen to Doc Watson stories from David Holt and Pete Wernick.

Donna the Buffalo and Friends -- Pete Wernick and Shawn Camp here

Donna the Buffalo and Friends -- Pete Wernick and Shawn Camp here

Some funny and awkward moments that stick out: overhearing a stage tech say to himself as he walked by, "And on jazz flute, Ron Burgundy!". Hearing a band member hauling off their gear say to a friend, "Hippy band's up next!". Watching James Taylor being cordoned off and escorted out by what seemed like every single security officer available. Finding out that no, your emcee status over there does not mean you get to hang out with the Avett Brothers over here. Getting to emcee an unfamiliar stage and trying to use the wrong mic to address the audience, leading to the burly stage manager (let's call him "Mr. Chuckles") to march over to me and point out the correct one, just a few feet to the right, barking "Come on, get with it!". Having to be the guy who told Donna The Buffalo that, no, the song they just played was supposed to be their last because time was up, and then watching Jeb Puryear start reciting a poem that said something about death and a raven (he came over and gave me a hug on stage afterward, so that made me feel better). Don't you just love being the messenger in situations like this? Yeah, me neither.

If a band goes over this 90 minute set limit, backstage folks be gettin' stressed

If a band goes over this 90 minute set limit, backstage folks be gettin' stressed

Soon we'll unveil more videos and the first part of the podcast in our SpringSkunk and Jon Stickley Trio series. I got another interview last week to add to the podcast, from Country Fried Rock's Sloane Spencer. She and her family are regulars on the Skunk Farm, and her perspective will be a nice addition to the piece.

Vintage organs tend to be heavy

Vintage organs tend to be heavy

In the meantime, I hope to catch our first episode's star, Aaron Burdett, when he has his album release show at Isis Restaurant and Music Hall next weekend. Good times! I promise to try to get more rest though. - Joe Kendrick

 

Southern Songs and Stories with Aaron Burdett

Over the past weeks, our own Tony Preston has been working diligently to forge our first episode with Aaron Burdett into a new creation. We both re-imagined the way that the show should flow, which performances from Aaron and his band to show for how long and where, and the way that this would all serve as a blueprint for future episodes. 

What we present to you is an episode with lots of footage yet to be seen, along with a new introduction, narration and graphics. Tony and I believe that it does a much more comprehensive and dynamic job of showcasing Aaron and telling his story, and those around him.

You remember when you were playing as a kid and you could call "Do over!"? We kind of did that here,  but it entailed combing through hours and hours of footage and then distilling that into another finished product. Next, we turn our sights on remaking our episode with The Honeycutters, and then jump into our extensive footage of the many scenes we shot with Tellico for episode number three. We hope you enjoy the new version of our documentary on Aaron, and will consider helping us go forward with our endeavor. - Joe Kendrick

Join Us

Remixed and Reimagined

Ever wish that you could go back in time? Yeah, us too.

In the midst of working on our third episode with the band Tellico, we realized that with documentary film making, you actually can. Why not go back to the first two episodes and give them a more cohesive feel, a new intro, and take what we have learned to make them better while crafting a new template that would strengthen our series?

Aaron Burdett

Aaron Burdett

We are now remaking our first episode with Aaron Burdett, and will follow that with a new take on our show on The Honeycutters. With this new approach plotted out, we go to our many hours of footage of Tellico next and put together their episode. Expect to see new scenes and performances in our first two episodes, along with a more balanced pace and stronger story lines for the series.

The band Faces had a big hit with the tune "Ooh La La", which put to song a refrain that so many of us have identified with from time to time: "I wish that I knew what I know now/When I was younger". We are humming that in the studio as we remix and reimagine Southern Songs and Stories.

Documentary Debuts at the Mid-Atlantic Music Conference

We unveil the pilot episode of Southern Songs and Stories in Charlotte on October 4th at the Mid-Atlantic Music Conference. Western NC singer-songwriter Aaron Burdett is the focus of our documentary and he will play with his band at the debut.

It's an exciting opportunity to bring our film to the Queen City and to be featured at the conference. Southern Songs and Stories plays at 3:30 pm, followed by Aaron's performance and a question and answer session. We'll be at the DoubleTree by Hilton, 895 W. Trade Street, and look forward to meeting you!

Aaron Burdett plays "Fruits Of My Labor" on the Lingua Musica show 2-28-14 http://www.aaronburdett.com/ http://moonlightmileproductions.com/